The current climate of television representing culture is a very bleak one. Today in the U.S. the few stations, which were created to showcase works in the arts, have been replaced by network programming which has contributed a mass numbing of our culture

Never in recent history has their been a channel dedicated exclusively to art. Showcasing documentaries, biographies, and features covering artists as well as the arena of architecture, graphic design, illustration, experimental theatre, video, dance and film..

Six years in the making The Scatter Channel has searched worldwide databases and found incredible groundbreaking work from all continents covering the last 100 years as art has been documented to come up with 24 hour channel’s timeline which is varied and informative educational and without bias. The narrative to the succession of features presented on Scatter Arts is one of the most groundbreaking concepts in programming. The timeline is in essence a seminal storyboard, which leads its viewer based on related themes while creating popular recognition and understanding of its history players and purpose. The Scatter Channel will cover the visual arts in a global format allowing viewers an unbridled portrait of other cultures through their most intimate and expressive outlet.. It will also host an in house show covering the most groundbreaking shows and events in its related mediums.

The Scatter Channel will cover the visual arts in a global format allowing viewers an unbridled portrait of other cultures through their most intimate and expressive outlet.

The Scatter Channel seeks to ensure the safety of Arts future by creating a general consensus of its need and importance in our culture. More importantly its content which seeks to inspire and evolve the cultural barometer numbed by generations of stifling and shallow programming. The Scatter Channel

The current climate of television representing culture is a very bleak one. Today in the U.S. the few stations, which were created to showcase works in the arts, have been replaced by network programming which has contributed a mass numbing of our culture

Never in recent history has their been a channel dedicated exclusively to art. Showcasing not only visual work but the documentaries and biographies covering artists as well as the arena of architecture, graphic design, illustration, experimental theatre, video, dance and film and profiles of the philosophies and literature which have served to support these movements .

Six years in the making The Scatter Channel has searched worldwide databases and found incredible groundbreaking work from all continents covering the last 100 years as art has been documented to come up with 24 hour channel’s timeline which is varied and informative educational and without bias.

The programming covers the entire timeline of art from documentaries on lost cities to the artworks of ancient culture to the present works featured at this years Whitney Biennial. The narrative to the succession of features presented on Scatter Arts is one of the most groundbreaking concepts in programming. The timeline is in essence a seminal storyboard, which leads its viewer based on related themes while creating popular recognition and understanding of its history players and purpose.

It is composed in a timeline of historical and thematic connections and a related search for meaning which bequeathing a narrative which in itself purports a work of art. Challenging the viewer to confront its themes and broaden the scope of its meaning enriching the pantheon of subject matter and the greater scope of art. The Scatter Channel will cover the visual arts in a global format allowing viewers an unbridled portrait of other cultures through their most intimate means of expression It will also host an in house show covering the most groundbreaking shows, movements and events in its related mediums.

On an international scope it will enlighten viewers to the identity and conflict of their own culture while celebrating what unites us all . The greater achievement of this endeavor is to promote religious, racial and cultural tolerance by exposing the public at large to the higher ideals of our collective journey

Not only will the Scatter Channel cover all movements and related interests but will showcase groundbreaking works screened for the first time on a regular basis while it will produce its own bimonthly telecast coverage of all gallery and museum shows internationally with supported interviews of new and established artists and other happenings characters and movements which impact today’s cultural climate.

Programming will be just as advantageous for adult education as it will be for children as 3 mornings of the week will feature arts programming for children and week end mornings will have instructional aired features of craft and technique in creating one’s own visual art. Painting, ceramics, graphics drawing etc will made readily available for those inspired or just willing to have television provide this educational outlet.


At this moment video in contemporary art is perhaps the most popular medium artists are working with today. However these works up until now have been only been made available to view through the museums and galleries which are not always accessible to an eager public due to travel and financial constraints. Showcasing these works to an audience would insure there is a generation, which will support the arts tomorrow.

As the art world has financially skyrocketed mass culture has lost the meaning of arts fundamental need for society’s own self-reflection and understanding. Without having unbiased media outlets the future of Art threatens to become obsolete. The Scatter Channel seeks to ensure the safety of arts future by creating a general consensus of its need and importance in our culture. More importantly its content seeks to inspire and evolve the cultural barometer numbed by generations of stifling and shallow programming. It is only then when the expression of our humanity can be restores as a necessary ingredient of our culture can we return to the highest notions of humanity